Labanotation in Perpetuum mobile

Last week, I promised I would tell you more about my recent meeting with Jacqueline Challet-Haas: I wanted to check the dance notation of my Perpetuum mobile, a composition for dancing clarinetist. (Perpetuum mobile starts at around 2:27 in the video PPP for dancing clarinetist.)

perpetuum mobile labanotation
An excerpt from my dissertation.

I have been interested in dance notation for years, and especially since the composition of Wu jú sè, a quartet for clarinet, double bass, five Chinese opera gongs, and dancer—incidentally, the first piece I composed in my Arc-en-ciel cycle. I chose then to use Labanotation (kinetography Laban), rather than other movement notation systems.

I have been lucky to work several times with Jacqueline Challet Haas, the leading specialist of Laban notation in France.


In August 2007 with Jacqueline Challet-Haas

Jacqueline Challet-Haas will be a guest at the Conservatoire de Strasbourg during their event Rudolf Laban, le danseur de cristal, June 17-19, 2011. I think I'll be there!

Comments

Post a Comment

Popular posts from this blog

Max for Live: Extreme Time Stretching with Spectral Stretch

Image
There are many ways to achieve audio time stretching without transposition . Some time-based methods build on Pierre Schaefer 's Phonogène . Another approach consists in processing the sound in spectral domain, using a phase vocoder . In this case, the audio samples are converted to spectral data through a Fast Fourier Transform (FFT). Then, even if we focus on extreme time stretching, the details of the phase vocoder implementation have important consequences on the sound quality and the tool's flexibility for live usage. Before introducing the Max for Live device Spectral Stretch, let's have a look at a selection of four possible algorithms: Paulstretch Max Live Phase Vocoder Interpolation between recorded spectra Stochastic Re-synthesis from a recorded sonogram Paulstretch Paul's Extreme Sound Stretch , also known as Paulstretch , is an algorithm designed by Paul Nasca for extreme time stretching. You might have heard one application already: to this date,
Read more

GroundSwell 2020 Emerging Composers Competition

Image
Groundswell is a wonderful organization dedicated to the development of new music in Winnipeg and the Province of Manitoba, Canada. I've been invited to serve as a member of the committee for their first electroacoustic music competition, along with composer Margaret Schedel and composer William Brunson . It's been a fun and quite interesting adventure. We listened to more than two dozen compositions. I wish we could have included more than 5 finalists: there were a number of atypical nice compositions. To listen, head to the competition page . You'll find links to the finalists' music.
Read more

A Free Tutorial on Spectral Sound Processing Using Max/MSP and Jitter

Image
When I discovered electronic music during the Centre Acanthes 2000/Ircam , my favorite topic was real time sound processing in frequency domain. Hans Tutschku taught the wonders of AudioSculpt in Avignon, before Benjamin Thigpen taught Max/MSP in Helsinki. Now, the Computer Music Journal just published an article I wrote about spectral sound processing in real time and performance time ( whereas real-time treatments are applied on a live sound stream, performance-time treatments are transformations of sound files that are generated during a performance ). If you are interested in graphical sound synthesis, phase vocoder , and sonograms (or spectrograms) , I hope you will enjoy this tutorial. The great news is that you can download the article for free on the page of the Computer Music Journal, Issue 32, Volume 3 . Max/MSP/Jitter patches You can readily apply the described techniques in the development environment Max/MSP/Jitter . For a hands-on approach, make sure you download t
Read more