Prisma meeting - Summer 2020
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqPZXpWWAIIxzKoik1PRPksagUE6kZSy2C6duaeFOEf0bQv3HPzGKWyH-P_15dg0v4VIvtnjVN2z4pAGGOXlX8-mVy732p4FkIFanpbWdPR279q837SFxSAJFSMZxjSU2_3g9VgNTu5VcX/w290-h400/PRISMA-2020.png)
This summer, the Prisma group of composers & music technologists met online instead of at Ircam . The meetings took place every day from July 6 to July 9, in four different time zones: 6-8pm in Paris, Berlin & Vienna 12-2pm in Boston/Cambridge 11am-1pm in Winnipeg & Iowa City 9-11am in Los Angeles We had a great set of presentations: Hans Tutschku: Composing with Large Sound Collections Jacopo Baboni Schilingi: Le Temps de l'Écho Johannes Kretz: creative (mis)understandings Johannes Kretz: Experiences with Live-Electronics – completely on iPad and (almost) completely wireless Orjan Sandred & Julien Vincenot: Cluster Engine from PWGL into Max as part of MOZlib Orjan Sandred: Creative projects Jean-François Charles: Spectral envelopes: gaussian blur, cepstral cross-synthesis, and historical pattern recognition As per usual, the presentations touched on topics ranging from aesthetics to art & technology. We all learnt a lot. We hop