Basset horn & live electronics: Electroclarinet 3
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm_AUh7TaGnDvH5oF49n4jH4sZWoxfhVsC-SYP4PwcPNfCMILoBenckGN7WLlbfxUhr7GwppnTmQutJCYeLdYT-kCszaa2gSE9mBiAxN86oTM0CRvS1mFXWhb6Njf_SCA-wta7xfq9Fs7d/s400/electroclarinet-3-theme-manuscript.png)
Looking for the studio album? Visit www.electroclarinet.com During my guest talk on Music & digital art , I premièred Electroclarinet 3 , a new composition for basset horn & live sound processing. The piece is an homage to Carl Maria von Weber , who composed lots of great music for clarinet. The theme, which manuscript you can see above, was inspired by the theme from Weber's Opus 33 (7 variations for clarinet & piano). At a larger scale, the form draws on Weber's composition as well: Theme Four parts corresponding to the Variation III (Adagio) of the Opus 33 Coda referencing the Opus 33's final seven measures I couldn't resist including a "WEBER" series of notes: W Mi / E E Mi bémol / Eb B Si bémol / Bb E Mi bémol / Eb R Ré / D In the coda, these notes are transposed for the basset-horn: