You need Max, but not all the time
During the electroacoustic music week at the Shanghai Conservatory of Music, each of the invited Prisma composers gave a talk to present his current research. I spoke in the afternoon of October 20th in the conservatory's Golden Hall.
After an introduction to spectral domain sound processing with Max, I presented alternatives for artists to create music with interactive electronics.
On the right side, a glimpse of the beautiful sound system Sa Majesté Le Son.
You don't always need Max
Thanks to the photographer and to the organization of the festival, who sent me the pictures!