Petrified @ SPLICE Festival 2020

Announcement, announcement! Bassist Will Yager and I are performing at the SPLICE Festival this Friday night!

I'm thrilled with the concert program: it includes works by composers Alexandra Gardner, Mary Lou Williams, Christopher Poovey, Caroline Louise Miller, Michael Flynn, and the Schuette<>Sommerfeldt Duo.
I'm looking forward to hearing the impressive line-up of performers, from Kyle Jones to Mark Michelli, from Robin Meiksins to Sam Wells and Noa Even. Find their bios on the concert page.

Will and I are performing Petrified, for double bass & live electronics, a reflection on the plastic nature of rocks. The University of Iowa engineer James Edel did a great job at recording, filming, and editing the video. I hope you'll be able to watch & listen. The videos are going to be streamed on the SPLICE facebook page. And make sure you check out the complete festival program - personally, I wouldn't miss any of the concerts!

Update: the score and Max patch for Petrified, version for double bass & live electronics, are available for purchase.

Comments

Post a Comment

Popular posts from this blog

Max for Live: Extreme Time Stretching with Spectral Stretch

Image
In this post, I'm giving insights into the creation of the Spectral Stretch Max for Live Device . There are many ways to achieve audio time stretching without transposition . Some time-based methods build on Pierre Schaefer 's Phonogène . Another approach consists in processing the sound in spectral domain, using a phase vocoder . In this case, the audio samples are converted to spectral data through a Fast Fourier Transform (FFT). Then, even if we focus on extreme time stretching, the details of the phase vocoder implementation have important consequences on the sound quality and the tool's flexibility for live usage. Before introducing the Max for Live device Spectral Stretch, let's have a look at a selection of four possible algorithms: Paulstretch Max Live Phase Vocoder Interpolation between recorded spectra Stochastic Re-synthesis from a recorded sonogram Paulstretch Paul's Extreme Sound Stretch , also known as Paulstretch , is an algorithm designed
Read more

GroundSwell 2020 Emerging Composers Competition

Image
Groundswell is a wonderful organization dedicated to the development of new music in Winnipeg and the Province of Manitoba, Canada. I've been invited to serve as a member of the committee for their first electroacoustic music competition, along with composer Margaret Schedel and composer William Brunson . It's been a fun and quite interesting adventure. We listened to more than two dozen compositions. I wish we could have included more than 5 finalists: there were a number of atypical nice compositions. To listen, head to the competition page . You'll find links to the finalists' music.
Read more

A Free Tutorial on Spectral Sound Processing Using Max/MSP and Jitter

Image
When I discovered electronic music during the Centre Acanthes 2000/Ircam , my favorite topic was real time sound processing in frequency domain. Hans Tutschku taught the wonders of AudioSculpt in Avignon, before Benjamin Thigpen taught Max/MSP in Helsinki. Now, the Computer Music Journal just published an article I wrote about spectral sound processing in real time and performance time ( whereas real-time treatments are applied on a live sound stream, performance-time treatments are transformations of sound files that are generated during a performance ). If you are interested in graphical sound synthesis, phase vocoder , and sonograms (or spectrograms) , I hope you will enjoy this tutorial. The great news is that you can download the article for free on the page of the Computer Music Journal, Issue 32, Volume 3 . Max/MSP/Jitter patches You can readily apply the described techniques in the development environment Max/MSP/Jitter . For a hands-on approach, make sure you download t
Read more