When I discovered electronic music during the Centre Acanthes 2000/Ircam , my favorite topic was real time sound processing in frequency domain. Hans Tutschku taught the wonders of AudioSculpt in Avignon, before Benjamin Thigpen taught Max/MSP in Helsinki. Now, the Computer Music Journal just published an article I wrote about spectral sound processing in real time and performance time ( whereas real-time treatments are applied on a live sound stream, performance-time treatments are transformations of sound files that are generated during a performance ). If you are interested in graphical sound synthesis, phase vocoder , and sonograms (or spectrograms) , I hope you will enjoy this tutorial. The great news is that you can download the article for free on the page of the Computer Music Journal, Issue 32, Volume 3 . Max/MSP/Jitter patches You can readily apply the described techniques in the development environment Max/MSP/Jitter . For a hands-on approach, make sure you download t...
Since I self-published my score Bleu 3 , a number of colleagues and friends asked me a " score self-publishing 101 " session. This post is intended to help anyone interested in self-publishing, especially composers. Some of these tips may be equally useful to make a book of your favorite recipes (a nice present for your friends). Actually, self-publishing is quite easy today, and you will surely find useful the article "Upload" from Make magazine, issue #12 . First of all, why self-publishing? Why don't all composers work with a publisher? Last year, I discussed this question with composer Julian Anderson , published by Faber Music . As he explained to me, publishers have two roles: first , the promotion of the music, and second , the printing side of the business (making scores and parts available). They are especially useful when they promote the music and their catalogue is well diffused. This is the case for rather big publishers, who are well connected to...
This year, we are fortunate that Gabriel Kahane is visiting the University of Iowa several times and meeting with the composers. Given his experience with orchestral writing and arranging songs, we are excited that he is going to coach students on arrangements of songs for singer (optionally playing guitar or piano) and string quartet. Gabriel Kahane shares some of his ideas on arranging on this post, including some song examples . Favorite arrangements featuring strings Among my favorite song arrangments, I want to first highlight the work of Stefan Malzew for Ute Lempper . Their collaboration on the 2012 album Paris Days, Berlin Nights is masterful. In Stefan Malzew's string writing, we can hear his love not only for the songs but also for the string quartet and its history. Here are two excerpts: First, two Kurt Weill songs: Surabaya Johnny , from Happy End and Die Moritat von Mackie Messer , from Die Dreigroschenoper (i.e. Mack the Knife , from The Threepenny Opera )...
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