Multiphonic series & glissando : the fingerings
Following up on last week's clarinet multiphonic sound video, here are the fingerings for the multiphonic series:
And for the combined multiphonic sound and glissando:
Following up on last week's clarinet multiphonic sound video, here are the fingerings for the multiphonic series:
And for the combined multiphonic sound and glissando:
Hi,
ReplyDeleteAbout the multiphonic glissando fingering, do you have to gradually release any key, reduce lip pressure or anything for the glissando to happen?
Thanks
Khoi Dang
Email: kdang10us@gmail.com
Dear Khoi,
ReplyDeleteThanks for the question. The glissando is obtained without changing the key (no gradual movement from the fingers, for instance). I use mostly changing the throat opening - something alike to changing from a vowel like "ee" in "bee" to a deeper vowel like "ea" in "heart".
I know that some clarinet players think about lip when it comes to glissandi. I learnt with clarinetist Armand Angster, and his technique never uses lips - it is really based on the inner opening of the throat.
Hope that helps.