A Jazz Night in Paris

A Jazz Night in Paris Dudley House Jazz Bands

I am delighted to invite you to my last concert leading both Dudley House Jazz Bands before moving back to France. I'm very happy with the repertoire that covers American and European Jazz, standards and creations... You shall discover a number of autobiographic traits in this program!

Jazz Combo

The jazz combo has been a huge group this year. We are beginning to know each other well, and the ensemble is sounding better & better. The group is Richa Gawande & Michael Heller (alto sax), Alan Lenarcic, Will Ramsey & Jabulani Barber (tenor sax), Jean-François Charles (Bb & Eb clarinet), Rakeen Mabud (violin), Iacob Koch-Weser (guitar), Brigham Hall (piano & melodica), Marc Gidal (bass), Max Behrens (drums), and Imani Roach (voice).

The program:

  • Bonjour Paris (Sidney Bechet)
  • Parker’s Mood (Alan Matheson, based on a solo by Charlie Parker)
  • Charméditerranéen (Paolo Damiani)
  • Aldwell Schachter (Michael Heller)
  • Green Tea (Brigham Hall)
  • Those Blue Eyes (Alan Lenarcic)
  • Lamas Say Yes (Alain Gibert)

Big Band

Our full big band stars Jon Andrews, Jillian DeMair & Kimberly August (alto sax), Michael Heller (tenor sax), Marlene Cohen (tenor sax, flute & clarinet), Aaron Silberstein (baritone sax), Alan Lenarcic (soprano sax on Oblivion), Ed Moore, Gary Smiley, Chris Zuidema & Stephen Furqueron (trumpets), Ethan Fenn, Rob Cautillo, Cara Takakjian & Tim Fung (trombones), Jonathan Buonocore (guitar), Adnan Zunic (piano), Marc Gidal (bass), and Sven Seuken (drums).

The program:

  • April in Paris (Vernon Duke, arrangement Count Basie)
  • I’m Just a Lucky So and So (Duke Ellington)
  • Kalimba (François Jeanneau, 1985, for the Orchestre National de Jazz)
  • Bernard Jeufroy (Michael Heller)
  • Kolkoz (Alexandre Desenfant, 2009)
  • Oblivion (Astor Piazzolla, arrangement Bob Curnow)
  • La Mer (Beyond The Sea) (Charles Trenet)
  • I Love Paris (Cole Porter, arr. Lennie Niehaus. 1958, for Stan Kenton’s Orchestra)
  • Libertango (Astor Piazzolla, arrangement Fred Sturm)

I hope to see you there!

Dudley House
Harvard Yard, Cambridge
Saturday, April 17th - 8pm

Comments

  1. UnknownApril 30, 2010 at 8:43 PM

    Congratulations for "Jazz Night in Paris", Jean-Francois and Dudley jazz afficionados. Makes me want to return as an alumnus to join you onstage with Jabulani when you return to Cambridge one day. Any web video of the event?

    Terrence Barber '75 HBS '84

    ReplyDelete
  2. UnknownApril 30, 2010 at 8:43 PM

    Congratulations for "Jazz Night in Paris", Jean-Francois and Dudley jazz afficionados. Makes me want to return as an alumnus to join you onstage with Jabulani when you return to Cambridge one day. Any web video of the event?

    Terrence Barber '75 HBS '84

    ReplyDelete
  3. Jean-Francois CharlesMay 3, 2010 at 12:37 PM

    Thanks for the message! Unfortunately, we do not have a video of the night. Jabulani should have received the link to all of the audio recordings, though. At some point, I'm going to post a slideshow from our December concert with Duke Ellington's arrangement of Rhapsody in Blue... should be there before July. Thanks again!

    ReplyDelete

Post a Comment

Popular posts from this blog

Max for Live: Extreme Time Stretching with Spectral Stretch

Image
In this post, I'm giving insights into the creation of the Spectral Stretch Max for Live Device . There are many ways to achieve audio time stretching without transposition . Some time-based methods build on Pierre Schaefer 's Phonogène . Another approach consists in processing the sound in spectral domain, using a phase vocoder . In this case, the audio samples are converted to spectral data through a Fast Fourier Transform (FFT). Then, even if we focus on extreme time stretching, the details of the phase vocoder implementation have important consequences on the sound quality and the tool's flexibility for live usage. Before introducing the Max for Live device Spectral Stretch, let's have a look at a selection of four possible algorithms: Paulstretch Max Live Phase Vocoder Interpolation between recorded spectra Stochastic Re-synthesis from a recorded sonogram Paulstretch Paul's Extreme Sound Stretch , also known as Paulstretch , is an algorithm designed
Read more

A Free Tutorial on Spectral Sound Processing Using Max/MSP and Jitter

Image
When I discovered electronic music during the Centre Acanthes 2000/Ircam , my favorite topic was real time sound processing in frequency domain. Hans Tutschku taught the wonders of AudioSculpt in Avignon, before Benjamin Thigpen taught Max/MSP in Helsinki. Now, the Computer Music Journal just published an article I wrote about spectral sound processing in real time and performance time ( whereas real-time treatments are applied on a live sound stream, performance-time treatments are transformations of sound files that are generated during a performance ). If you are interested in graphical sound synthesis, phase vocoder , and sonograms (or spectrograms) , I hope you will enjoy this tutorial. The great news is that you can download the article for free on the page of the Computer Music Journal, Issue 32, Volume 3 . Max/MSP/Jitter patches You can readily apply the described techniques in the development environment Max/MSP/Jitter . For a hands-on approach, make sure you download t
Read more

GroundSwell 2020 Emerging Composers Competition

Image
Groundswell is a wonderful organization dedicated to the development of new music in Winnipeg and the Province of Manitoba, Canada. I've been invited to serve as a member of the committee for their first electroacoustic music competition, along with composer Margaret Schedel and composer William Brunson . It's been a fun and quite interesting adventure. We listened to more than two dozen compositions. I wish we could have included more than 5 finalists: there were a number of atypical nice compositions. To listen, head to the competition page . You'll find links to the finalists' music.
Read more